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14.01.2022 Jo Darvall’s work appears in ‘Nature, as Told by 3 Artists,’ at Art Forum Singapore. Darvall’s ‘Green Lotus’ (2017), painted in collaboration with Singaporean artist Shih Yun, is a gentle monument to post colonial knowledge exchange in an Asia-Pacific context, and explores the permeable interface between the ‘natural’ and the cultural mediations through which we experience and create it. IMAGES: ‘Green Lotus,’ 2017, pigments and acrylic on arches paper, 76 x 56 cm; installation shot of the show, Art Forum Singapore, courtesy Marjorie Chu at Art Forum.
12.01.2022 Nicole Ellis’ work registers senses of both accretion and loss - discarded fabrics, lolly wrappers, and confetti make up her surveys of the landscapes in which she’s lived, worked, and collected. In Issue 53, Ellis spoke with Erin McFadyen about her upcoming show at ANU’s Drill Hall Gallery, which is now open. IMAGE: Nicole Ellis in her studio, photographed by Bryce Thomas.
11.01.2022 Artist Profile x Arthouse Gallery present I AM HERE, now freely accessible to stream through the link in our bio. The panel, which opened Arthouse’s ‘I Am Here: 40 Women Shaping the Australian Visual Landscape,’ explores women’s contributions to, and position within, the Australian arts industry. With Jo Bertini and mother-daughter pair Katherine Hattam and Harriet Morgan (Military Position) chaired by Jan Fran, it celebrated a variety of inter generational perspectives, holding the weight of history as it looked to the future.
11.01.2022 The MCA and the Tate announce seven new acquisitions as part of their Joint Acquisition Program for contemporary Australian art. The program works to raise the profile of Australian art in a global context, and to assist Australian artists in reaching wider audiences. Acquired artists include Bonita Ely, Nicholas Mangan, Vivienne Binns, Peter Kennedy, and John Mawurndjul AM. IMAGE: Bonita Ely, ‘Jabiluka UO2,’ film still, courtesy the MCA.
