Castlemaine Art Museum in Castlemaine, Victoria | Arts and entertainment

Castlemaine Art Museum

Locality: Castlemaine, Victoria

Phone: +61 3 5472 2292

Address: 14 Lyttleton Street 3450 Castlemaine, VIC, Australia

Website: http://www.castlemainegallery.com/

Likes: 6431

Add/Update information

Reviews

Tags

• Arts and entertainment
• Art gallery
• History Museum
• Museum
• Art

25.01.2022 ", , , , / , / (19). . , , . .. , , ." A must read this week from Memo Review: Victoria Perin on Melbour...ne poet .o.'s publication, ‘Heide’ (we highly recommend getting your hands on the publication too . It's quite the epic poem about history, painting, painters, patrons the people who made modern art happen in Australia, and those who opposed it.) Read the review here > https://memoreview.net/blog/pi-o-heide-by-victoria-perin #CAMrecommends #art #australia #heide #poetry #memoreview #reviews

25.01.2022 Did you know artist Ian Fairweather (b.1891) once spent 16 perilous days at sea on a homemade raft?! And that he built two bark huts on Bribie Island off Moreton Bay, #Queensland to live and paint in? Learn more about this reclusive painter in the #CAMReflections piece written by local artist Ken Felstead. Check it out here > https://us18.campaign-archive.com/... . . . Image: Ian Fairweather, ‘Untitled Landscape’, c. 194955. gouache, Castlemaine Art Museum. Gift of Ms June Davies, 1994. Ian Fairweather/DACS. Copyright Agency, 2020. Image: Ian Hill. #CAM #CAMReflections #art #painting #IanFairweather #australia

23.01.2022 This week is NAIDOC Week a week dedicated to celebrating and acknowledging the history, culture and achievements of #firstnationpeople, this year’s theme is Always Was, Always Will Be. To celebrate the diversity of Jaara country and the vast knowledge of the Jaara Jaara people, we’d like to share local Aboriginal Elder Aunty Julie McHale’s #Reflection piece on Bush Tucker. Aunty Julie (Palawa) is a passionate advocate for #bushtucker, particularly on #Jaara country where ...we are located. Aunty Julie discusses the significance and uses of the three ‘sacred’ treeswurrun (manna gum), mootchong (black or silver wattle), and puloitch (cherry ballart)different root vegetables, local grains and much more. She encourages all #Australians to learn about Bush Tucker and even have a go at growing it and using when cooking! You can read the #CAMReflection here: https://us18.campaign-archive.com/ Aunty Julie is a co-ordinator at Nalderun Aboriginal Services in the Mt Alexander Shire (The Meeting Place) and involved in their renowned Indigenous catering service Murnong Mamas. . . . Image: Truffle (a collected sample of traditional food), Edible fungus or truffle (Polyporus Mylittae), Found on Mt Franklin Estate. Castlemaine Art Museum. Image: Felix Wilson. #NAIDOCWeek #alwayswasalwayswillbe #nalderun #jaara #country #NAIDOC2020 National NAIDOC

23.01.2022 As we prepare for our reopening, here’s a little sneak peek at ‘The Way The Water The Walk’ from Punctum Inc., a new installation and performance piece that explores our relationship with waterways opening 27 November 2020. Stay tuned for more information! #castlemaineartmuseum #reopening #punctuminc #performance #water #art #castlemaine #victoria

23.01.2022 In celebration of #NationalWaterWeek water We’d like to share with you some of the captivating bodies of waters found within the #CAMCollection: The vibrant seascape from well-known Australian impressionist E. Philips Fox Penleigh Boyd’s Winter Calm, Frankston, depicting the Frankston Foreshore circa 1920. ... Frederick McCubbin’s ‘Golden Sunlight’, painted using the ‘scumble’ technique, where the artist builds up many layers of thinly applied paint giving a transparent effect which is later rubbed with a pumice stone to give a smooth surface, allowing the colours from the different layers to show through. We hope that exploring these #paintings prompts you to reflect on, and treasure, the waterways around us. . . . Images: (1) E. Phillips Fox, ‘On the Mediterranean Coast’, 18801915. (2) Frederick McCubbin, ‘Golden Sunlight’, 1914, Gift of Dame Nellie Melba, 1923. (3) Penleigh Boyd, ‘Winter Calm, Frankston’, 19121921. #CAM #MuseumFromHome #CAMCollection #CAMExhibitions #painting #water #nationalwaterweek #australia #victoria #castlemaine Australian Water Association Melbourne Water

22.01.2022 ART ACTIVITY #1 For this school holiday period, we’re sharing some of our favourite art-making activities you can do at home. First up, have a go at making your own still life artwork like Janina Green. This activity involves multiple steps to encourage hours of imagining, designing and constructing a still life scene; experimenting with photography and light; and creating through drawing or painting. Download the step-by-step guide here: https://www.castlemainegallery.com...//05/CAM-ArtActivity1.pdf We’d love to see what still life creations this activity inspiresshare what your kids are making on social media using #CAMArtActivity. . . . Image: Janina Green, ‘Still Life series (Klytie Pate)’, 1988, hand coloured silver gelatin print, collection of the artist. Copyright Janina Green. Image: Janina Green. #ArtFromHome #TeachArtFromHome #CAM #castlemain #schoolholidays #museumfromhome #JaninaGreen #stilllife #artactivity #learning #art #photography #drawing #painting

22.01.2022 #DiscoverCAM A vase of flowers appears in many artists’ still life images, and we have some superb ones in the #CAMCollection. The pop of colour and pleasant scent of a freshly-picked bouquet is a welcome addition in our homes and our art collections. We'd love to see the flowers and plants that are bringing colour, inspiration or comfort to your day-to-day during this timeespecially with new spring blooms Share a photo or drawing of your late...st bouquet or your favourite house plant, tag @castlemaineartmuseum & #CreativeWithCAM and we'll share a selection on our #Instagram story to celebrate the beauty that’s thriving in our homes. . . . Images: (1) Janina Green 'Roses', 1988 - 2016, silver gelatin print on silver Kentmere paper from a Polaroid 55 negative, Collection the Artist. Copyright the artist. (2) Rupert Bunny, ‘Flower Study’ 1927-29. (3) Thea Proctor ‘Souvenirs’, Basil Hart Bequest, 1991. (4) Arthur Streeton ‘Blue Hydrangeas’. Gift of Burnell Family in memory of John G. Burnell and his wife Adele, 1989. #CAM #MuseumFromHome #CAMCollection #CAMExhibitions #painting #flowers #stilllife #australia #victoria #castlemaine See more

21.01.2022 OPPORTUNITY Blak Design 2020 Deadline > Tuesday 13 October 2020, 5pm Apply here > https://koorieheritagetrust.cmail20.com/t/i-l-mllldjl-jlilh ... Interested in contemporary jewellery design? Koorie Heritage Trust Inc are calling for applications from all Aboriginal and Torres Strait Islander artists from around Victoria who are interested in participating in this exciting new initiative that provides mentoring in design, production, and small business skills to nurture long-term sustainable design practices. Apply today! #art #blakdesign2020 #opportunity #jewellery

21.01.2022 In these uncertain times, art can lift our spirits and brighten our days. While the museum is temporarily closed, we invite you to #DiscoverCAM as we share works from the CAM Collection and our exhibitions. First up, we have some sunny images to brighten up your feeds on this Sunday. + An intimate landscape of the Dandenong Ranges, Victoria, from one of Australia’s best-known artists Tom Roberts. + Siri Hayes’ serene foreshore photograph featured in the exhibition ‘The Unq...uiet Landscape’ which opened late last year in the museum. + An atmosphere of enchantment captured by the superb colourist, artist Rupert Bunny. We hope that these artful discoveries may offer some joy and inspiration wherever you are. We look forward to seeing you again when it’s time to reopen our doors. Until then, we’ll stay connected here. . . . Images: (1) Tom Roberts, ‘Wayside, Kallista’ 1927. Gift of the artist. (2) Siri Hayes, ‘Transmitting by Nautilus from the series Dredge’, 2010. Copyright of the artist. (3) Rupert Bunny, ‘Sketch for Capucin Chapel Seret’. Arthur Lindsay Bequest, 1991. #CAM #MuseumFromHome #CAMCollection #CAMExhibitions #painting #photograph #australia #victoria #castlemaine

19.01.2022 Here's a striking #photographic #portrait of Arthur Streeton (1867-1943) from the #CAMCollection. The painter was a core member of the group of landscape artists known as the ‘Heidelberg School’, along with Tom Roberts, Frederick McCubbin and Charles Conder. In 1889 he exhibited 40 works mostly painted on cedar cigar-box lids in the ‘9 x 5 Impressions’ exhibition in Melbourne gallery Buxton Room’s. One floor beneath this gallery was Talma Studioswhere this photograph was... taken! Talma Studios was a photographic studio was located directly opposite the Town Hall in the Buxton building, and it was one of the first #photographic studios to use electric power. Image: Talma Studios, ‘Portrait of Arthur Streeton’, 1895, black and white platinotype. Estate of A.M.W. Brotherton, c.1965. #CAMCollection #photography #portraiture #ArthurStreeton #talmastudios #australianartists #camera #castlemaine #melbourne #australia #portrait #buxton #heidelbergschool #painter

19.01.2022 How does a conservator tackle cracking in paintings? For celebrated painting conservator Caroline Fry from Grimwade Centre for Cultural Materials Conservation, understanding the full meaning of a crack is the beginning of understanding the journey of that painting through time. In this #CAMRefelctions piece, Caroline discusses the beauty, fascinations and concerns that comes with the #conservation of cracks. Read the Reflection here: https://us18.campaign-archive.com/]... . . . Images: Detail, during conservation treatment 2018, ‘Portrait of George III in coronation robes’, after Allan Ramsay, before retouching, c1763, oil on canvas. Bendigo Art Gallery. Image supplied. #CAM #CAMReflections #artconservation #painting #cracks #australia #victoria #castlemaine #CarolineFry See more

18.01.2022 ASK A CURATOR DAY ? "First Nations art and material culture was collected in the early days, like most settler museums worldwide. Indeed, anthropologist Sir Baldwin Spencer (18601929) was involved in advising on acquisitions in CAM's early days. However sadly, more is known about the donor than the artist, the location, or meaning of the work. The most recent work acquired by CAM is this magnificent pai...nting by Betty Kuntiwa Pumani, winner of the Len Fox Painting Award in 2019." ’ ? This is hard to call, can I name one and not all? Weak of me you might say. For different reasons, I relish the artists and curators with whom I have worked. It is a particular dance of respect and challenge, leading and repose, listening and declaring, exhilaration and hard yakka. . . . Image: Betty Kuntiwa Pumani, ‘Antara’, 2018, synthetic polymer paint on linen. Castlemaine Art Museum. #CAM #askacurator #askacuratorday #curator #museumathome #CAMCollection #Castlemaine Public Galleries Association of Victoria (PGAV) See more

18.01.2022 #CAMReflections | Curator Kirsty Grant describes an unexpected find she came across in the CAM Collection earlier this year: The palette is vivid acid green, deep pink and bright yellow the application of paint is lively, and if we read the disapproving expressions of the older women, the boy’s amusement and pointed finger, as well as the apparent about-face of the woman in yellow, an interesting narrative begins to unfold. The painter of this lively scene was Yvonne A...tkinsona significant female modernist of her day who is today, as most of her female contemporaries, little-known and underrated. Find out more about the artist and Kirsty’s experience whilst surveying the CAM Collection in this week’s #CAMReflection > https://us18.campaign-archive.com/ . . . Image: Yvonne Atkinson ‘The Tram Stop’ 1937. Castlemaine Art Museum. Gift of the artist, 1977. Copyright Jo Daniell. Image: Ian Hill. #CAMCollection #CAMReflections #KirstyGrant #YvonneAtkinson #castlemaineartmuseum #castlemaine #artcolletions #oilpainting #tramstop #femaleartist

14.01.2022 I stood mesmerised by the intricate and deft etching on a bark from my own Dja Dja Wurrung Country [pictured]. Struck by the weight of story and history that sat behind a sheet of toughened glass in front of me, I wondered about the hands that made those incisionsAs an artist obsessed with reclaiming the technologies and practice of my forebears, museums have become (at times) an uneasy home for me, strange environments in which we are surrounded by the legacy of our famil...ies, yet in an alien atmosphere that seeks to catalogue and quantify. Tiriki Onus,(Yorta Yorta, Dja Dja Wurrung), Associate Dean Indigenous Development and Head of the Wilin Centre for Indigenous Arts and Cultural Development, University of Melbourne and CAM Board member. In recognition of #NAIDOC week, Tiriki Onus proposes a new way of thinking about First Nations artefacts held in museum collections in our latest #CAMReflection. You can read the full reflection here: https://us18.campaign-archive.com/ . . . Image: Dja Dja Wurrung, Jaara, Bark etching, before 1854. Eucalyptus bark with incised depiction of kangaroo, man throwing spear and three other male figures. Collected by John Hunter Kerr at Fennyhurst Pastoral station on Kinypanial Creek in northern Victoria, 30kms south of Boort, close to the Loddon River. Collection, the British Museum. #NAIDOCWeek #alwayswasalwayswillbe #country #NAIDOC2020 #museums #collection #artefacts

14.01.2022 You asked, and a curator answered! For #AskACurator Day, curator and writer Naomi Cass responded to your questions about the #CAM collection, life as a curator, favourite foods and much more! You can head to our Instagram story (http://tiny.cc/wbkwsz) to check out the answers or follow along here as we share them with you. Thank you to everyone who submitted a question and got involved! Our first question was from Bev Lewis, who asked: - ...? ? CAM has two separate storage areas, one for art objects on the ground floor at the rear of the building, with around 2,500 items, plus those yet to be catalogued. There is also a most intriguing and deliciously cool, dry space in the basement for the social history items, as yet we are unable to number. Works are housed according to their needs: framed works are on racks, unframed works in solander boxes and plan presses, for example. , ? Bringing to life art and social history collections in unexpected, challenging and insightful ways. Working with living artists to wrangle their love of historical art, making entry points between different artforms and material culture. Weaving the past into the contemporary and the present back into the past. Sounds like the Castlemaine Art Museum! Installation image, Janina Green in conversation with the collection 2020, Higgins Gallery, Castlemaine Art Museum, Image: Brodie Ellis #CAM #askacurator #askacuratorday #curator #museumathome #CAMCollection #Castlemaine Public Galleries Association of Victoria (PGAV) Ask a Curator

14.01.2022 ASK A CURATOR DAY ' ? Definitely pomegranates, for the eyes, the taste and spirit. Fresh pomegranate, dried, pomegranate syrup with soda in a long glass, in soup and salad, but most gloriously with cheese or resplendent in a fruit bowl. Sadly, I donate my entire crop to the tiny possums who live in my pomegranate tree. ? ... Sometimes selecting artists is about being inspired and lead by the art. This requires research, looking, listening: being out there in the world. Sometimes curating is about having an idea, and literally hunting for work which brings the idea to life and takes it into new areas. When working with living artists, curating is a partnership. . . . Image: Elma Roach ‘Still life - Pomegranates and Jug’ c.1935 oil on canvas. Castlemaine Art Museum. Purchased with funds from John Northen and Victor Stafford, 2008 Image: Ian Hill. #CAM #askacurator #askacuratorday #curator #museumathome #CAMCollection #Castlemaine Public Galleries Association of Victoria (PGAV) See more

14.01.2022 If you've been enjoying our Reflections series, then come into CAM to view a selection of artworks and objects from the series, accompanied by their author's responses. This is the last week to view Reflections, the exhibtion, so get in quick! CAM will be open 12pm-4pm this Thursday-Sunday. Reflections began as part of CAM’s online response to the Covid lockdown. Contributors are asked to literally ‘reflect’ on works or objects from the CAM collection. It is an experiment, i...ndeed a commitment from the Castlemaine Art Museum, to make our magnificent collection relevant and uplifting, even when our doors are closed. Send us a message if you would like to contribute to the series. Images: Installation shots of Reflections, Castlemaine Art Museum. Images by Ian Hill.

12.01.2022 Clarice Beckett: The present moment, opens this Saturday at the Art Gallery of South Australia! We are pleased that CAM's five works by Beckett have been included in this important exhibition on a visionary modern Australian woman artist. Clarice Beckett: The present moment, runs from 27 February - 16 May.... More details at: http://ow.ly/zP1150DJk6g Image: Clarice Beckett, Wet Evening, c1927, oil on cardboard. Castlemaine Art Museum, Maud Rowe Bequest, 1937. Image by Ian Hill.

11.01.2022 The Tonalists were undoubtedly a strange lotThey seemed to approach the world cautiously and view it through umber-coloured glasses, peering through the murky half-light of which they were so fond. Are you also drawn to the murky, umber-soaked paintings of the Australian Tonalists? Castlemaine-based visual artist and writer, Dr Andrew Goodman, discusses his experience with the #Tonalists as he revisits Percy Leason’s remarkable portrait of his children Jack and Jean. R...ead the entire #CAMReflection piece here: http://us18.campaign-archive.com/ . . . Image: Percy Leason, ‘(Two of the artist’s Children, Jack and Jean)’ c1922 Castlemaine Art Museum. Gift of Max Leason 1990. Copyright Estate of the Artist. Image: Ian Hill. #CAM #MuseumFromHome #CAMCollection #painting #portrait #australia #victoria #castlemaine See more

11.01.2022 Feast you eyes on 'Eye to Eye', an exhibition examining 46 years of womanhood through the lens of Fryerstown-local and leading Australian photographer Julie Millowick OAM, and photographer and curator Jody Haines. On show at Footscray Community Arts Centre until 20 March 2021, Millowick has also uploaded her component of the exhibition onto her website, to be viewed remotely during lockdown. https://juliemillowick.com/portfolio-items/eye-to-eye/

09.01.2022 ASK A CURATOR DAY ? Our records show that on October 4, 1913, Ina Gregory (1874 -1964) gifted a delightful small oil painting, Our Garden. Shortly we will be publishing a #CAMReflection on the role of women in founding the Castlemaine Art Gallery and Historical Museum. ’ ?... Curatorial work is hugely diverse, particularly when working within a tiny team. It ranges from mundane admin and care for the collection, monitoring, cleaning, checking for insects, through to the exhilarating, scary and creative task of working with living artists and historical research. . . . Image: Ina Gregory ‘Our Garden’ n.d. oil on panel. Castlemaine Art Museum, Gift of Artist, 1913. Image: Ian Hill. #CAM #askacurator #askacuratorday #curator #museumathome #CAMCollection #Castlemaine Public Galleries Association of Victoria (PGAV) See more

08.01.2022 We can’t wait to welcome you back to #CAM next week! Our re-opening suite of experiences includes the exhibition ‘Cast Recast: Damon Moon’, don’t miss out on your chance to step into the mesmerising world of one of Australia’s most respected and prolific ceramicists: Damon Moon. Taking cues from architecture, pottery and process, #DamonMoon’s slip-cast ceramic pieces are both playful and poetica must-see! Find out more here: https://www.castlemainegallery.com/cast-recast/... Images: Damon Moon, ‘Cast Recast: Damon Moon’ installation view, Castlemaine Art Museum, 2020. Image: Felix Wilson. #CAMExhibitions #reopening #castlemaine #maldon #DamonMoon #pottery #ceramics #recast #history #architecture

07.01.2022 Flint is able to paint women’s bodies in a way that rebuffs objectification and sexualization, but that nonetheless exudes intimacy, beauty and psychological penetration Jacqueline Millner In this #CAMReflection, writer and academic Jacqueline Millner sheds a critical light on the winner of the 2016 Len Fox Prize, a study of a woman washing at her basin, by artist Prudence Flint. Find out more about Flint’s unique and convincing blend of figuration and abstraction here:... https://us18.campaign-archive.com/ . . . Image: Prudence Flint ‘Wash’ 2015, oil on linen. Collection Castlemaine Art Museum. Winner of 2016 Len Fox Prize, acquired. Copyright the Artist. Image supplied. #LenFoxPrize #PrudenceFlint #CAMCollection #painting #art #museum #australia #victoria #castlemaine #contemporaryart #artandfeminism Contemporary Art and Feminism

05.01.2022 In our most recent #CAMReflection, long-serving museum volunteer Diane Frape-Linton uncovers a conservation mystery, relating to Russell Drysdale's Desolation. Diane learnt of the story while working with CAM's correspondence archive during lockdown. Interested in the material history of artworks? Read more at: https://us18.campaign-archive.com/ Image: Russell Drysdale, Desolation,1946, oil on composition board, Castlemaine Art Museum, purchased 1946. Copyright: The Estate of Russell Drysdale. Image: Ian Hill.

05.01.2022 Sunday activities... From mindful walks to drawing prompts, MoMA The Museum of Modern Art are sharing various activities for connectedness and healing through art. We loved the meditative drawing exercise inspired by artist Paul Kleea perfect Sunday afternoon activity!... Find out more about the Artful Practices for Well-Being initiative here: https://www.moma.org/magazine/articles/322 #CAMRecommends #art #activities #museumfromhome

04.01.2022 For some, this year’s highlights have included mastering a new skill (from pottery, knitting, painting to bread baking) and for others it may have been the addition of a four-legged friend to your life. These wide-eyed #StaffordshireMantleDogs from the #CAMCollection bring a smile to our faces as they remind us of some of the more delightful experiences of 2020. What have been some of your highlights? You can read more about these pair of porcelain pooches in local artist ...Tessa Laird’s #CAMReflection piece here https://us18.campaign-archive.com/ Image: 'Comforters or Mantle Dogs', c. 1840s. glazed earthenware with enamel decoration, English, Staffordshire, Castlemaine Art Museum. Gift of the Holloway Family in memory of their mother Mrs Alice M Holloway 1995. Image: Felix Wilson. #CAMCollection #ceramics #art #museum #porcelain #australia #victoria #castlemaine #mantle #dogs #TessaLaird

03.01.2022 We’re taking part in the annual #AskACurator Day tomorrow! Curator and writer, Naomi Cass (CAM Director), will be answering your questions about the Museum, our collection and anything in between. Ever wondered what goes into putting a show together? What it's like to work at the Museum? What have curators been doing during lockdown? To participate, submit your questions in the comments below, email them to [email protected] or check out our Instagra...m Stories and submit your questions there. We’ll be answering them throughout the day tomorrow! Ask A Curator Day is a global initiative that brings together museums and galleries from around the world to provide the public with direct access to curators and museum staff. 2020 marks the tenth anniversary of this annual event see who else is participating by checking out https://buff.ly/3hi9uCn. #castlemaineartmuseum #askacuratorday #museumsathome #curator #museums #castlemaine

02.01.2022 OPPORTUNITY BLINDSIDE 2021 Exhibition Callout Deadline > Thursday 15 October 2020, midnight Apply here >https://www.blindside.org.au/apply... Melbourne-based contemporary art space, BLINDSIDE, are calling for applications to exhibit in their 2021 JuneDecember Exhibition Program. There are no gallery fees and proposals are encouraged from emerging, mid-career and established artists, curators, collectives or collaborators to present solo or group exhibitions, as well as events, performances, screenings and ephemeral projects. Apply today! BLINDSIDE 2021 EXHIBITION CALLOUT #art #opportunity #artistrunspace #artists #melbourne #victoria

02.01.2022 We can’t wait to welcome you back to #CAM from Friday 27 November! Punctum Inc. will be presenting their latest live and online durational work: The Way The Water The Walk. Part large scale puzzle, part performance in a plumbed landscape, this exhibition is for viewing or participationinvestigating the many mechanisms affecting the Murray Darling Basin in which Mount Alexander and Djaara Country are located. Keen to pass by and participate? You can book your time slot onl...ine before visiting #CAM here: https://www.trybooking.com/events/landing?eid=682226& #castlemaineartmuseum #reopening #punctuminc #performance #water #art #castlemaine #victoria #murraydarligbasin #mountalexander #djaaracountry

01.01.2022 In addition to our renowned portrait paintings, the #CAMCollection also holds an extraordinary collection of photographic portraits many of them depicting well-known Australian artists, such as Donald Friend, William Dobell, Albert Tucker, Joy Hester, Olive Cotton, Fred McCubbin etc. Former CAM director, Peter Perry (19752014), commenced a collection of photographic portraits of artists and over the next few days we’ll be sharing some of our favourites. First up is Max Du...pain’s portrait of Olive Cotton, taken during a camping trip at Culburra Beach in 1937. Both were pioneering artists of their time, well known for being the first Australian photographers to embrace modernism and, for bringing a distinctly Australian style to photography (think: sun, sea, sand). CAM is delighted to hold such portraits in our #collection do you have a favourite (contemporary) portrait photographer? Images: Max Dupain, ‘Olive Cotton portrait’, 1938, black and white silver gelatin photograph. Courtesy of the Mary Leviny Bequest Fund, 1995. #CAMCollection #photography #portraiture #OliveCotton #MaxDupain #australianartists #camera #castlemaine #victoria #australia #silvergelatin #portrait