Homeat735 in Surry Hills, New South Wales, Australia | Art Museum

Homeat735

Locality: Surry Hills, New South Wales, Australia

Phone: +61 2 9310 7606

Address: 735 Bourke Street, Redfern 2016 Surry Hills, NSW, Australia

Website: http://www.homeat735.com.au/

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25.01.2022 Madeleine took this photo of a great Richard Diebenkorn painting hanging in the San Francisco Museum of Modern Art. Pictured is Cityscape #1, 1963, oil on canvas.

25.01.2022 Reading Space, Jinhua Architecture Park, Jinhua China. Built in 2006 and designed by Herzog & de Meuron.

25.01.2022 A suite of wonderful new paintings by Chelsea Lehmann now showing in Home’s October online exhibition. For enquires or an exhibition catalogue please get in touch. Pictured is Study for a new matriarchy, 2020. Oil on clayboard.

24.01.2022 Home’s October online exhibition will feature a suite of new paintings by Chelsea Lehmann. Chelsea Lehmann has exhibited extensively in Australia for the past two decades and has been the recipient of several awards, grants, local and International residencies. Her most recent exhibitions include Persona (Flinders Street Gallery, Sydney, 2020); June (MARS Gallery, Melbourne, 2019); Bad Mannerism (Galerie pompom, Sydney, 2018) and The Articulate Surface (UNSW Galleries, Sydn...ey, 2018). She is a lecturer in Drawing at the National Art School and completed a PhD at UNSW Art & Design in 2019. "The immediate appeal of Chelsea Lehmann's work is the fluid, supple and sneakily perverse quality of her paintings, at once referential to artists of the past, but also to the presentation of the female form in our age of pervasive online pornography a neat double act that lends this most traditional subject of figuration an undeniable and contemporary feminist edge." Andrew Frost, Art Collector Magazine, April-June 2020. Pictured is Creaturely, 2020, oil on board.

24.01.2022 excellent artist video from Joe Wilson and Chanelle Collier - well worth a look!

23.01.2022 Fun Foam and souvenir tea towels by Rosie Deacon from our 17.08.16 exhibition. Pictured is Beware, Dingo Downunder Tea Towel Ahead (left) and Koala Bridge Climb Tea Towel, 2016, mixed media.

23.01.2022 Willem de Kooning (1904-1997), Door to the River, 1960, oil on linen part of the Whitney Museum of American Art Collection.

21.01.2022 Louis Nucéra Library, Nice, France built in 2002. Designed by Bayard et Chapus (architects) and Sacha Sosno (sculptor).

18.01.2022 Municipal Office Leyweg, The Hague, The Netherlands, 2011 designed by Rudy Uytenhaak Architectenbureau.

18.01.2022 Art student#18, 2016, oil on canvas by McLean Edwards from our 2017 Invitational exhibition. Image courtesy of the artist and Olsen Gallery, Sydney.

17.01.2022 From our ‘Pairings’ exhibition in March this year - Sarah Goffman, Plastic Arts based on the Mann Tatlow collection 2017, PET plastics, hot glue, enamel paint, permanent marker, found plastic.

17.01.2022 New works by Chelsea Lehmann showing at Home - view the exhibition by appointment.

16.01.2022 Ceramics by Shiling Wu from our 06.07.16 exhibition. Pictured is Stacking Notes, 2016, Earthenware.

16.01.2022 Home’s October online exhibition features paintings by Chelsea Lehmann. You can view the exhibition by appointment. Pictured is Ornament, oil on clayboard, 20x20cm.

15.01.2022 Monument II, 2014, pieced cotton by Elliott Bryce Foulkes from our ‘Materiality’ exhibition in 2018.

14.01.2022 Home is pleased to be exhibiting works by Monika Scarrabelotti in our 2021 program. Monika Scarrabelotti is a Sydney based artist who makes gestural figurative sculptures that engage with the human condition. Seeking to create works that are emotionally raw, her sculptures traverse the sensual and voyeuristic, engaging the spectator in an intimate response. Scarrabelotti completed a BFA and MFA at National Art School, and has a continued connection with art education through teaching sculpture at the Tom Bass Sculpture Studio and NAS. Scarrabelotti exhibits regularly and has a growing number of artworks in Australian private collections. Pictured is Icarus, 2020, Plaster, sisal, steel.

13.01.2022 questions & answers, 2012-15, acrylic paint on wood with wax by Brendan Vivian Smith from our ‘Pairings’ exhibition during Art Month in March this year.

13.01.2022 From our 2017 Invitational exhibition Garry Winogrand, Women Are More Beautiful Than Men, silver gelatin print. Courtesy of the Badger & Fox Gallery. "Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts." -Garry Winogrand... Born in New York in 1928 where he lived and worked much of his life, street photographer Garry Winogrand was lauded for his portrayal of American life and its social issues in the mid-20th century. He received three Guggenheim Fellowships to work on personal projects, a fellowship from the National Endowment for the Arts, and published four books during his lifetime. Garry Winogrand died at the age of 56.

12.01.2022 Chris Dolman, Right Angle Cheese Dreams, 2019, oil and pencil on canvas from Home’s ‘The Portrait’ exhibition. Image courtesy of the artist and galerie pompom.

10.01.2022 IT’S BANDCAMP FRIDAY! The good folk at Bandcamp are waiving their commissions on the first Friday of each month till the end of this year. This means that your favourite bands and artists will receive 100% of the money made on sales via Bandcamp today! Our new single ‘Never Too Far’ along with our previously released singles, EPs and debut album are all available. Many thanks to Bandcamp who are always looking for new ways of supporting independent artists. Here’s the link t...o our bandcamp page: https://theforresters.bandcamp.com/ complemented by the vibraphone of Jess Ciampa and dobro of Charlie Owen, this evocative example of folk-leaning rock was mixed by US producer, Mitch Easter.The Forresters’ excursion into this folk classic by Tim Hardin is a sincere interpretation of a wonderful track by an underrated songwriter first recorded in 1973

10.01.2022 Geoffrey Proud, Head, 1965, oil on card. Born in Adelaide in 1946, Geoffrey Proud is a painter, sculptor and print-maker. He has received no formal art training. Proud held his first exhibition at Watters Gallery in Sydney at the age of sixteen. He has exhibited widely with over 80 solo exhibitions. He has won many awards including the Sulman Prize in 1975 and the Archibald Prize in 1990 for his portrait of writer Dorothy Hewett.

09.01.2022 Bank of Guatemala, Guatemala City, built in 1966, designed by Jorge Montes Córdova & Raúl Minondo.

09.01.2022 Untitled 73,74,72 by Bill Henson from our 2017 Invitational exhibition. Image courtesy of the artist and Badger & Fox Gallery, Sydney.

09.01.2022 painting by Neo Rauch from an exhibition at The Drawing Center, NY in 2019.

08.01.2022 Black Geometry 1: The 100 Tasks, 2015, graphite on paper by Teo Treloar from our 13.04.16 exhibition.

07.01.2022 The church Sainte-Bernadette-du-Banlay was conceived and designed by Claude Parent and Paul Virilio and built in 1968 in the town of Nevers, in central France.

06.01.2022 The Het Poplakov Cafe on the Dnieper River in Northern Ukraine - built in 1976.

05.01.2022 From our 06.07.16 exhibition, sculpture by Melbourne artist and musician, Mick Turner. Pictured is Woman with Moth #2, 2016, resin, plaster, rock, wire, oil paint.

04.01.2022 Luca and Aki, 2016, Pure pigment print on cotton rag by Tamara Dean from our ‘The Portrait’ show last year.

04.01.2022 Georgian Ministry of Highways, USSR, 1970

02.01.2022 Available from Home’s stockroom Canto VIII, 2003, screenprint by Sydney Ball. Painter, printmaker and sculptor Sydney Ball (1933-2017) was a pioneer of post-painterly abstraction in Australia. Born in Adelaide, Ball worked as a draughtsman before taking up art studies in the late 1950’s. His early influences were challenged when in 1963 he moved to New York and encountered the work of abstract expressionists including Mark Rothko, Willem de Kooning, Jackson Pollock and Robe...rt Motherwell. Through the influence of these artists, Ball developed his own sophisticated language of colour-based abstraction. This was first presented in Ball’s ‘Cantos’ series, works that were initially exhibited after his return to Australia in 1965. With their bold structured forms of unmodulating colour and precise surfaces, the ‘Cantos’ signalled the domination of colour expression and formed a new direction in abstract painting in Australia, culminating in ‘The Field’ exhibition at the NGV in 1968. This work is from a suite of screenprints that revisit Ball’s ongoing series of ‘Cantos’ paintings, drawings and prints, which he first developed in the mid-1960’s while living and working in New York between 1963 and 1967. The title Cantos is drawn from a cycle of poems by Ezra Pound. For me, the holy trinity of colour painting is colour, space and light. Sydney Ball, 2012.

02.01.2022 Euan Macleod, Boat in Corner, 2004, oil on canvas - available from our stockroom.

01.01.2022 Tributary (Truce), 2019, Acrylic on board by Zara June Williams from our ‘Pairings’ exhibition in March this year. Zara June Williams’ exhibition ‘Fuse’ is currently showing at COMA Gallery in Sydney.

01.01.2022 Elizabeth Pulie, #87 (la commedia dell’arte), 2018, acrylic and linen on board from our ‘Materiality’ exhibition in 2018. Image courtesy of the artist and Sarah Cottier Gallery.