MARCH SPACE in Sandringham, Victoria | Art gallery

MARCH SPACE

Locality: Sandringham, Victoria

Phone: +61 413 685 488

Address: 5 Waltham Street, 3191 Sandringham, VIC, Australia

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25.01.2022 still life... 6/9/2018

24.01.2022 We sincerely invite everyone to join us!To set up an unexpected exhibition.

24.01.2022 Good morning,Melbourne 5/6/2019

23.01.2022 Morning,world.1/8/2018

23.01.2022 A wonderful opening at Niagara Gallery.Congratulations,Mr Amor,Aug 2018.

20.01.2022 The contemporary art will inspire young people go forward!/ MARCH SPACE,21/4/2019

19.01.2022 Good morning,Melbourne.25/07/2019

18.01.2022 GANG LIU Painting Solo Exhibition-2019 is coming this Saturday, Opening will start at 6:00 pm, and exhibition will last 6 weeks until 26th October. Gallery address: 5 Waltham Street, Sandringham VIC3191( Tuesday-Sunday, 6:00pm-10:00pm ). GANG LIU most important art works will show in public this time, mostly of them took part in Liverpool Biennial, and I saw your eyes even showed in Walker National Gallery in England as an important unit in Liverpool Biennial 2014. https:/.../www.liverpoolmuseums.org.uk//exhibitions/john-moor See You Saturday, My Friends!

18.01.2022 Alberto Giacometti with Francis Bacon at the Tate Gallery, London, 1965

18.01.2022 Three faces - good morning,Mr Matisse.

18.01.2022 Repertoire for a Pornographomania NO.12 /oil on canvas/280280cm/2014

17.01.2022 My Painting is never to express beauty, but to cruelty, indifference and despair. My Painting also never to make people happy, only to describe brutal reality. - Gang Liu

17.01.2022 Opening at 14 September! Cheers!

17.01.2022 Qin Qis paintings have strong exotic flavours and colonial themes that will be soon exhibited in the city with a dual colonial history. In the history of art, it in advertently touched upon the most important hidden cluesof early modernism, borrowing ideas from African and maritime culture, and the waves of colonialism played a major role in the formation of early modernist style.

16.01.2022 Good morning,dear Shirin.

16.01.2022 Just walked out from Shackle. Van Gogh,Matisse and Gauguin.

15.01.2022 New exhibition coming!

14.01.2022 Good afternoon,Melbourne. 14/8/2018

14.01.2022 Last Days The equality of all beings The absurdity of being... For the animals in the picture, their last days are countable. Before being slaughtered, they cant wake up or fight back, they just sit passively waiting for death. The artist wants to remind viewers to think, in the face of submissive annihilation, what can be done?

13.01.2022 Good morning,Melbourne.5/8/2018

13.01.2022 Moonlight ......Elizabeth Gibbeson,2019

13.01.2022 scenic boundary that is assumed by a guy who is indifferent manner NO.1 / oil on canvas 280x380cm 2014

13.01.2022 AMBIVALENCE David White Duration: 16th Mar - 27th Apr 2019... Opening: 3:00-6:00pm 16th Mar 2019 MARCH SPACE ,Melbourne

12.01.2022 Not every artist can paint like this with great courage.- good morning,MARCH SPACE,29/8/2018

10.01.2022 Lei works 2018,@MARCH SPACE GALLERY

08.01.2022 Good morning,Melbourne. 30/11/2018

08.01.2022 Francis Bacon taken by John Deakin for Vogue, 1952

07.01.2022 Merry ChristmasMay you be happy everyday,2020.

06.01.2022 for a Pornographomania NO.2/oil on canvas/270 x 270cm/2012

05.01.2022 Deng jianjins recent series of creations are titled "Reserved Theater Pieces for Prurient Producers. "In these reserved theater pieces, "sexuality and sexual violence are a persistent theme. From beneath the lifted curtain, the drama we see being performed is highly chaotic. The characters are interlocked and scrunched together; acts of homosexual and heterosexual intercourse are lustily proceeding, and mask-wearing figures lend a bizarre note. Some of the pictures are rife... with all sorts of violence and torments. Females are often shown splayed out, as if on a surgical platform, waiting for rapacious groups to have their way. Interestingly, in one group, we see a group of circling crows, and the entrance of Guanyin-like woman in white imparts a sense of sacrificial offering and hallowing to that carnal scene. An assortment of tubular lines pass across the picture surface, resembling intestines or perhaps machine parts. Rendered with Dengs wriggling continuous brush strokes, they ooze like thick mucus, making the scene look like a dreamland sliding into nightmare. Well then, to what origin should we attribute creative work of this type? As for treatments of sex or carnality, we usually see two orientations in contemporary art. The first is to flout sexual desire as a statement about breaking free from bodily confinement and social constraint. This is closely related to the turn in contemporary philosophy by which the body breaks through confines of rational thought. The second is to use bodily appetites to satirize the pervasive material desires and sex-cum-power transactions in our society. Over ten years ago, Deng wrote entries in his creative journal about the alienation of human nature brought by the industrial and electronic revolutions. He wrote about the tense relation between the whirlwind of social, technological changes one hand and a persons loneliness and dislocation on the other. A certain critical boundary in human nature has been overwhelmed, triggering a split between illusion and reality. One result of this was rampant growth of irrational actions of the body, extending from sexual fantasies to sadism, violence and the darkest things imaginable. (See Deng Jianjin, "Riffling through Visual ExperiencesOn Selecting Images for Premeditated Crime.) See more

03.01.2022 Chinese painting,charming and mysterious.

02.01.2022 Deng jianjin's recent series of creations are titled "Reserved Theater Pieces for Prurient Producers. "In these reserved theater pieces, "sexuality and sexual violence are a persistent theme. From beneath the lifted curtain, the drama we see being performed is highly chaotic. The characters are interlocked and scrunched together; acts of homosexual and heterosexual intercourse are lustily proceeding, and mask-wearing figures lend a bizarre note. Some of the pictures are rife... with all sorts of violence and torments. Females are often shown splayed out, as if on a surgical platform, waiting for rapacious groups to have their way. Interestingly, in one group, we see a group of circling crows, and the entrance of Guanyin-like woman in white imparts a sense of sacrificial offering and hallowing to that carnal scene. An assortment of tubular lines pass across the picture surface, resembling intestines or perhaps machine parts. Rendered with Deng's wriggling continuous brush strokes, they ooze like thick mucus, making the scene look like a dreamland sliding into nightmare. Well then, to what origin should we attribute creative work of this type? As for treatments of sex or carnality, we usually see two orientations in contemporary art. The first is to flout sexual desire as a statement about breaking free from bodily confinement and social constraint. This is closely related to the turn in contemporary philosophy by which the body breaks through confines of rational thought. The second is to use bodily appetites to satirize the pervasive material desires and sex-cum-power transactions in our society. Over ten years ago, Deng wrote entries in his creative journal about the alienation of human nature brought by the industrial and electronic revolutions. He wrote about the tense relation between the whirlwind of social, technological changes one hand and a person's loneliness and dislocation on the other. A certain critical boundary in human nature has been overwhelmed, triggering a split between illusion and reality. One result of this was rampant growth of irrational actions of the body, extending from sexual fantasies to sadism, violence and the darkest things imaginable. (See Deng Jianjin, "Riffling through Visual ExperiencesOn Selecting Images for Premeditated Crime.) See more

01.01.2022 A young artist,a great painting,1000 years ago in China.

01.01.2022 A question,an uncertain answer,a photo exhibition!This Saturday afternoon (15th September),see you,my dear friend!

01.01.2022 The artist created a series of horrifying bloody and violent events, which may arouse viewers minor anxiety and sense the difficulty of survival, the unstableness of life, the absurdness of reality, and the danger of environment. The artist reminds viewers and suggests that the ecosystem in the painting is the weakness being devoured by the strong, which echoes with the cruelty of modern society.- Di Zhao