Nauticam Australia | Brand

Nauticam Australia

Phone: +61 7 4031 7655

Add/Update information

Reviews

Tags

• Other
• Brand
• Camera/photo

24.01.2022 Wetpixel Editor Adam Hanlon presents a field review of the Nauticam NA-D500 housing: http://wetpixel.com//field-review-nauticam-na-d500-housing/

24.01.2022 The first images of the much anticipated Nauticam D850 housing are now live on our site.

19.01.2022 My new 5dmkiv housing built it self in 3 seconds... :D Thanks Peter for the support on building it over the phone...

18.01.2022 Looking for a good deal ? Our friends at Georges Cameras have their summer sale on. Check it out for yourself.

16.01.2022 The long awaited Nauticam A6500 housing is now in store and available for immediate shipping. This housing features an optional internal power supply - this e...ffectively doubles the available power which is great for shooting video and long dive days. Fully compatible with all previous Nauticam / Sony mirrorless lenses and port systems . The A6500 provides the perfect upgrade solution.

15.01.2022 Hergen Spalink from Nauticam partner company "Got Muck Ltd " gives the Panasonic GX8 and the full range of Nauticam High Performance wet lenses ( WWL and CMC M...aco Lens ) a full work out. The vision is enhanced by the unequalled performance of The Keldan Lights Luna Lights and Magic Filters. Hergen had this to say about his experience with this equipment : The video was shot at 4K 30fps and edited in Final Cut Pro X. Camera was shot in manual exposure with the majority at ISO 400 and 1/60 sec shutter speed. Getting good color in underwater video has always been one of the major challenges. With cameras capable of shooting RAW video such as the Arri Alexa or one of the RED lineup a fair amount of good color correction be completed in post production. Newer, high-end cameras such as the Canon 1DXMKII can capture broadcast quality color reproduction onboard, others can use an outside recorder such as an Atmos Shogun. Most cameras, however, shoot fairly compressed 4K with little information remaining for good clean post production necessitating careful attention to capturing the scene correctly in camera. The custom white balance controls on the Panasonic GX-8 are very user friendly and most users will tend towards shooting natural light with a Magic Filter or similar "red" filter and a custom white balance. For this trial I decided to try something a little different. In attempt to ensure a nice blue background despite a wide range of water conditions in Komodo I employed the use of a Magic Filter combined with custom white balance and LED video lights. I would set the white balance in the 2-3000K range and place a threaded Magic Filter on the 14-42mm mm (28-84mm Full Frame equivalent) lens. The white balance would lend the entire scene a very cool (blue) cast - setting the background. The Magic Filter would do very little to the background (what I wanted) but would add red back to any artificial light cast onto the foreground (which would otherwise appear very cool due to the white balance setting), in this case by a set of high CRI (96) Keldan Luna 8 LED video lights. The result is a blue background that does not go magenta near the surface (a common side effect of shooting magic filters in natural light with manual white balance) and beautiful rich colors on the foreground subjects. The large beam angle, even pattern, and high-CRI rating of the Keldan lights made for a gentle, natural looking blending of the mid-ground into the background while still ensuring the vivid colors of the foreground subjects stand out. In addition to an incredibly wide field of view at the low focal length range (14mm), The WWL-1 has truly amazing zoom-through capabilities when used at higher focal length (42mm). Between using the WWL-1 with the lens at full zoom to capture small to large macro subjects and the CMC for super-macro, as well as removing both wet-lenses and just shooting through the flat port the GX-8 in the NA-GX8 housing is able to capture just about every subject you would encounter. Instead of shooting only macro or wide for the entire dive we could change between scenes. Frog Dive Sydney Tales By Light Scubapix - Nauticam Australia Abyss Scuba Diving - Sydney OZTek - Advanced Diving Conference & Exhibition Cairns Dive Pros South Pacific Divers Club Established 1962 SCUBA Dive Sydney Adreno Scuba Diving

09.01.2022 The latest in Medium Format solutions.