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25.01.2022 Delighted to open on this perfect summer weather this evening... THIS LAND AFTER THIS LAND BEFORE 04 December - 06 December 2020... Angus Cameron, Winsome Jobling, Talitha Kennedy and selected works from Nomad Art Collections This land after this land before is a meeting place for the work of three artists who question our cultural ability to live within the natural environment. The exhibition offers a sensual and intellectual engagement with nature on both philosophical and aesthetic grounds. Euroa Butter Factory, Victoria Showing 10am 3pm, 5th 6th December 2020 6.00 pm, Friday 4th December exhibition opening dinner Trybookings.com 11.00 am, Saturday 5th December exhibition floor talk Saturday and Sunday lunch Trybookings.com Meal bookings essential Trybookings.com Enquiries: 0428 308 793 Covid safe event

24.01.2022 Nomad Art Collections is delighted to present a special event, please join us at Euroa Butter Factory for: This land after this land before Angus Cameron, Winsome Jobling, Talitha Kennedy and selected prints from Nomad Art Collections 10am - 3pm Saturday and Sunday 5 and 6 December ... Euroa Butter Factory www.euroabutterfactory.com.au ‘This land after this land before’ is a meeting place for the work of three artists who question our cultural ability to live within the natural environment. The exhibition offers a sensual and intellectual engagement with nature on both philosophical and aesthetic grounds. Exhibition Program Friday 4th December 6.00 pm - opening dinner - bookings essential Saturday 5th December 11.00 am - Exhibition floor talk by artist Angus Cameron Saturday and Sunday 5 & 6 December lunch available bookings essential For bookings please go to: Trybooking.com Enquiries: 0428 308 793 [email protected] Further information www.euroabutterfactory.com.au www.nomadart.com.au www.anguscameron.work www.talithakennedy.com We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

24.01.2022 Vote for Sally Hayes-Burke

23.01.2022 INNER WORLDS: John Wolseley John Wolseley takes us into the inner worlds of natural ecologies with his intricate prints made with the found ‘wood-cuts’ of wood-boring insects. English born artist John Wolseley has travelled and painted Australia from the central deserts to the forests of Tasmania and the tidal reaches of east Arnhem Land and beyond. His work over the last twenty years has been a search to discover how we dwell and move within landscape a kind of meditation ...on how land is a dynamic system of which we are all a part. Through his series of works entitled One Hundred and One Insect Life Stories, Wolseley invites us to enter the umwelt or ‘life world’ of non-human creatures. INNER WORLDS is our current profile in the online gallery, visit our website to see all of the available artworks by these visionary artists and please sign up to our newsletter. www.nomadart.com.au

23.01.2022 Shining Light: prints by leading contemporary Indigenous artists from Nomad Art Collections 24 April - 31 May 2020 Curated by Talitha Kennedy 'What a delight to share my selection of hero prints from the Nomad Art Collection as this online exhibition catalogue.... To wrap up it’s been a great way to connect with friends of Nomad Art on social media during isolation and now that the Euroa studio is again open by appointment, prints which are still available can be seen in their fine materiality. I hope you get to see for yourself the "cabinets of wonder" and experience the journey across country that can be felt through these artworks'. Talitha Kennedy Nomad Art operates as an online gallery and also open by appointment at our Euroa Studio. Contact: 0428 308 793, [email protected] We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

21.01.2022 INNER WORLDS: Monique Auricchio. Monique Auricchio is a New South Wales based printmaker who explores the menacing relationships between predator and prey in the animal kingdom. Her work contains whimsical and theatrical elements of animals infused with human sensibility and evokes the fragile and peculiar pecking order of the human and animal condition. The images draw upon both epic and intimate dynamics of power. While the animals appear to be locked in battle, there is am...biguity and calmness in their relationships. Although inhabiting an allegorical space, the animals symbolise human elements of wealth, power, vanity, pomp and pageant rendered in dark and poignant tones. INNER WORLDS is our current profile in the online gallery, visit our website to see all of the available artworks by these visionary artists. www.nomadart.com.au

19.01.2022 This land after this land before. Continues at the Euroa Butter Factory this weekend hours 103 p.m. last day on Sunday. @talitha.kennedy @winsomejobling Www.anguscameron.work Www.nomadart.com.au

14.01.2022 INNER WORLDS: Malaluba Gumana (dec) Malaluba Gumana is an artist who lived at Gangan, North East Arnhem Land, Northern Territory. Malaluba mainly painted her mother’s Gålpu clan designs of dhatam (waterlilly), djari (ripples and rainbows), djayku (filesnake) and wititj (olive python). Her imagery refers to one of the oldest continuous human religious iconographical practices the story of the Rainbow Serpent. Djayku (lesnake) lives amongst the dhatam, causing djari, on th...e surface of the water. It also refers to the power of the storm created by Wititj, the diagonal lines representing trees that have been knocked down as Wititj moves from place to place. INNER WORLDS is our current profile in the online gallery, visit our website to see all of the available artworks by these visionary artists and sign up to our newsletter. www.nomadart.com.au

12.01.2022 TIWI FOCUS: Jean Baptiste Apuatimi (dec), Maria Josette Orsto, Raelene Kerinauia and Janice Murray are senior Tiwi artists of national repute. Each has forged a distinct style within the artistic traditions of Tiwi culture. This group of women have also been leaders in their art centres and prolific, consistent and innovative artists and printmakers over many years. Tiwi art is unique; inspired by the distinct language, ceremonies and material culture of the Tiwi people. Tiwi... art is often inspired by two significant ceremonial rituals, Pukumani (mourning ceremony) and Kulama (initiation or yam ceremony) which echo Tiwi cosmology and origin myths of the Tiwi people. Painted designs are based on patterns of lines and dots derived from ritual body paintings, however emphasis is also placed on innovation and individuality rather than associations with totemic groups or kinship systems. The result is powerful and individual imagery created within the bounds of natural pigments. Jean Baptiste Apuatimi, Maria Josette Orsto, Raelene Kerinauia and Janice Murray are extraordinary exponents of this convergence of freedom and constraint informed by the powerful heritage of Tiwi culture. WHATS ON NOMAD ART: TIWI FOCUS Full profile of works available on nomadart.com.au https://www.nomadart.com.au/?p=13369

12.01.2022 We may be locked down in Victoria but our hearts are in Darwin festive time! We'll be joining online tonight 6.30pm (AEST) the inaugural National Indigenous Fashion Awards, congratulations to all the nominees and especially to the textile designers we have profiled over the years including Kieren Karritpul at Merrepen Arts, Selina Nadjowh at Injalak Arts and the many amazing ladies at Babbarra Women's Centre.

12.01.2022 INNER WORLDS: Dulcie Sharpe, Monique Auricchio, Malaluba Gumana (dec), John Wolseley. This month we explore the imaginative world of the artist. Inner Worlds presents artists who are celebrated for their distinctive personal styles. These works take us on a journey through memories and observations to tell us stories of places and interactions, human, animal and geographical. They draw us into the world observed with thought, humour, fear and joy that embody life. We hope you enjoy Inner Worlds. INNER WORLDS is our current profile in the online gallery, visit our website to see all of the available artworks by these visionary artists. www.nomadart.com.au

12.01.2022 Great review @the.reviewboard This land after this land before 4 5 December 2020 Presented by @nomadartgallery at @euroabutterfactory... An exhibition of like-minded artists Angus Cameron, Talitha Kennedy & Winsome Jobling is open for one weekend at the 19thC butter factory in Euroa, Victoria. Walking through giant gums, screeching cockatoos, grumbling galahs & suspicious magpies. The crunch of brittle leaves & twigs, dry earth, a determined creek. The colours & textures of nature offer the perfect entree to This land after this land before. Jobling, whose 2016 survey was held at @mag_nt, has a decades-long practice making paper with a particular simpatico for transforming native flora into the medium. On the raw red brick wall, with vast ceilings & golden sun, her pulpy, organic, tactile scrolls & silhouette forms of handmade paper have a sacred quality. Close attention sights delicate linework, tonal colours, peeling fibrous skins, stains, spots, bleeding delightfully curious effects. I see trees, fronds reaching out a network of organisms. The ‘Chatter’ of trees as the artist shows us - trees communicate. The industrial details of the factory pair well with Kennedy’s ‘Twig Trees’ which sit atop cement plinths limbs of the building. Small 3-d soft sculptures made of stitched leather. To make a life form from the dead. There is some autonomy to the medium itself as its springs independently to form branches in unexpected ways. In ‘Tricks to make earth into flesh 17’ the tree wraps around the red brick, just as nature would reclaim the butter factory itself if left to its own devices. Cameron, curator, gallerist & artist returning to his practice. An experimental one, but one in tune to his life in nature on Taungurung lands. Printmaking techniques abound in his unique state works on paper that spread in dialogue across floating display ‘walls’. I see surfaces, colours, forms and sense the crunch, all that I experienced within the landscape to get here. And all that I will see as I exit back out into it. This relationship of human structure & mother nature is in the work and in the exhibition space. Thought provoking serendipity. -MS

11.01.2022 Continuing this weekend at the Euroa Butter Facory Saturday & Sunday December 12 & 13 between 10am - 3pm

11.01.2022 Fabulous Winsome Jobling show at Australia Galleries, Melbourne

11.01.2022 TIWI FOCUS: The art of mother and daughter duo Jean Baptiste Apuatimi (dec) and Maria Josette Orsto emanates from a deep knowledge of Tiwi culture and ceremonies. Their innovative and powerful designs are characterised by the constant exploration of new ways of expressing connections to their cultural heritage. I was born at Pirlangimpi. My country is Imalu, from my father’s country, and that’s my husband’s country too. My mother and father gave me to marry Declan Karrilikiy...a Apuatimi. Declan was doing all the painting and carving then. I used to help him. He tell us stories and sang songs in Tiwi language. I am the only one that knows those songs now. Jean Baptiste Apuatimi, Custodians 2008 Jean Baptiste Apuatimi was selected to participate in the inaugural National Indigenous Art Triennial: Culture Warriors at the National Gallery of Australia in 2007. Her work is represented in the collections of the British Museum, Kluge-Ruhe, NGV, NGA, numerous international institutions and private collections. Maria Josette Orsto was included in the second National Indigenous Art Triennial: UnDisclosed: National Indigenous Art Triennial, National Gallery of Australia in 2012 and exhibited widely. Her work is held in Australian and international private collections and in many public collections, including the NGA, NGV, QAGOM, Australian Embassy in Paris and Seattle Art Museum USA. TIWI FOCUS is this month’s profile on our online gallery, for full profile and details of artworks available for purchase see our website https://www.nomadart.com.au/ Sign up to our mailing list to receive monthly profiles and news https://nomadart.us2.list-manage.com/subscribe

10.01.2022 A special focus on technique from our current online exhibition Manifest: selected prints from the Nomad Art Collection ‘The etchings, linocuts, woodcuts, lithographs and silkscreen prints are extraordinary for their fearlessness and instinctive nature. They are a product of the skill and dexterity of each artist and emanate from years and often generations of art practise. Each work is informed by a deep and intimate knowledge of the subject which flows from the artist with ...an uncanny lucidity.’ Extract from catalogue essay by Angus Cameron. https://www.nomadart.com.au///Manifest-Angus-Cameron-2.pdf www.nomadart.com.au Nomad Art operates as an online gallery. We are also open by appointment at our Euroa Studio. Contact: 0428 308 793, [email protected] We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

09.01.2022 INFLUENTIAL WOMEN: Lorna Naparulla Fencer (dec), Fiona Hall, Queenie McKenzie (dec), Regina Pilawuk Wilson. Influential Women is the first of our new series that profiles key artists from the Nomad Art Collection. Each month we will curate a small group of selected artists who have made many outstanding prints. Each of these women are prolific and highly regarded Australian artists, innovators and leaders. Influential in their own communities, they have all developed unique a...nd deep and original art, which is based on their knowledge of culture and community. Lorna Naparulla Fencer was a celebrated and innovative Warlpiri artist from Lajamanu. Fiona Hall most recently from Tasmania is acclaimed internationally for her environmental and ethno-botanical art and research. Queenie McKenzie was one of the most prominent painters of the Warmun (Turkey Creek) community in Kimberley Ranges and Regina Pilawuk Wilson who co-founded the Peppimenarti Community for the Ngangikurrungurr people in the Daly River region is a leading contemporary artist. View available works by these artists in the special feature Influential Women www.nomadart.com.au

09.01.2022 More great prints to be seen in our current online exhibition: Shining Light: prints by leading contemporary indigenous artists from the Nomad Art Collection’ Extract from catalogue essay by Talitha Kennedy ‘Nomad Art has now transported their universe of prints to their own homelands of Victoria, to an even more compact little gallery space in the town of Euroa. We planned to present this survey exhibition in Melbourne to introduce the gamut of prints available. I wanted to ...bring to light the treasures sequestered in their inventory, prints that I have coveted because they are intimate pieces of my hero artists. Artists that are innovators and leaders in contemporary art, their power condensed onto holdable pieces of paper. Especially in this time of having to stay at home, the small scale and compact materiality of prints seem all the more relevant when you can't get to the big galleries. Viewing the online exhibition through a screen will not do justice to the tactility and pigments of print on paper, but the power of a favourite artist resonates to make an intimate connection that can be held.’

08.01.2022 Thrilled for the celebration of Indigenous textiles and fashion at the National Indigenous Fashion Awards. A huge congratulations to National Indigenous Fashion Award winners, especially Kieren Karritpul who has become a strong artist and leader that we have exhibited and collaborated with on projects since the early days of Merrepen Arts. Keiren is currently exhibiting ‘Painting My Country Painting My Culture’ at Godinymayin Yijard Rivers Arts and Culture Centre in Katherine, congratulations Kieren! Congratulations also to award winners Julie Shaw, Peggy Griffiths, Bula’bula Arts, Ninti One and Bede Tungutaalum. Image: Yerrgi Pandanus Bundles by Kieren Karritpul, Merrepen Arts, Etching, 24.5 x 32 cm

08.01.2022 History in the making, Angus Cameron reflects on over 15 years of cross-cultural print production in our online catalogue Manifest: selected prints from the Nomad Art Collection ‘Most of the artworks are the results of collaborative workshops. Printmakers and workshops such as Australian Print Workshop, Basil Hall Editions, Northern Editions, Red Hand Prints, Andrew Sinclair, Maddie Goodwolf, Sean Smith and many others provided space, materials and technical skills to enable... the artists to freely express their cultural priorities. Thirty years ago, the notion of contemporary print making was a recent concept for Aboriginal people. Today, there are many Aboriginal art centres proficient at all aspects of producing prints, particularly Buku-Larrnggay Mulka, whose printmaking artists are a shining light on the artistic landscape of Aboriginal Australia. As Director of Nomad Art, I felt lucky to witness the works as they were produced in various printmaking workshops. I watched these works develop and come into the gallery on a monthly basis. I never ceased to be amazed at the ingenuity and originality of the art. I felt we were in a printmaking revolution in the north. It was hard not to fall in love with works as they came through our doors, coveting them for my own eyes, admiring them for their freshness and integrity.’ Extract from catalogue essay by Angus Cameron Nomad Art operates as an online gallery. We are also open by appointment at our Euroa Studio. Contact: 0428 308 793, [email protected] We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

07.01.2022 We are delighted to present our next online exhibition ‘Manifest’ accompanied by curatorial essay. View the full exhibition catalogue on our website. 'Manifest: selected prints from the Nomad Art Collection' Extract from Catalogue essay by Angus Cameron... 'Our own Nomad Art projects from 2006 to 2017 brought together Indigenous and non-Indigenous artists including Judy Watson, Fiona Hall, John Wolseley, Winsome Jobling, and Jörg Schmeisser to engage in a depth of cross-cultural dialogue rarely achieved, as demonstrated by the ongoing artistic investigations of Wolseley and Wirrpanda. Countrywoman Mulkun Wirrpanda forged a collaborative relationship with John Wolseley during the Nomad Art Djalkiri project in 2010. Together they continued to explore edible plants that Wirrpanda gathered and ate as a child. Through their art Wirrpanda and Wolseley documented and rekindled knowledge of species which were lost to the younger generations of northeast Arnhem Land'. Angus Cameron

05.01.2022 TIWI FOCUS: Raelene Kerinauia is a celebrated artist, she is a finalist in the 2020 National Aboriginal and Torres Strait Islander Art Awards and won the Telstra Bark Painting Award in 2011. Raelene Kerinauia is well-known for painting with the kayimwagakimi (ironwood comb). Made from bloodwood or ironwood. The comb is dabbed in ochre and applied to the painting surface resulting in a straight line of fine dots, a process which is repeated over and over with dazzling effect. TIWI FOCUS is this month’s profile on our online gallery, for full profile and details of artworks available for purchase see our website https://www.nomadart.com.au/

05.01.2022 TIWI FOCUS: Janice Murray Pungautiji is renowned for her depictions of a vast array of Tiwi birds. Her works incorporate the body designs used in the Pukamani ceremony. The geometric patterns reference stories of mythological significance involving ancestors who were changed into animals or birds. Janice Murray lives in Milikapiti and has been working with Jilamara Arts & Crafts since 1995. Janice is celebrated for printmaking, ochre paintings on paper, carvings and public s...culptures that feature around Darwin and in Sydney’s Taronga Zoo. In 2017 Janice Murray was awarded an Australian Print Workshop Collie Print Trust Fellowship to work in collaboration with printers Martin King and Simon White producing her impressive solo exhibition 'Tokampuwi (Big mob of birds)'. TIWI FOCUS is this month’s profile on our online gallery, for full profile and details of artworks available for purchase see our website https://www.nomadart.com.au/

04.01.2022 INFLUENTIAL WOMEN: Fiona Hall Fiona Hall is one of Australia’s most prominent contemporary artists, internationally acclaimed for her environmental and ethno-botanical art and research. Nomad Art first collaborated with Fiona Hall in 2006 for ‘Replant: A new generation of botanical art’ where Fiona produced a suite of prints in response to our ethno-botanical cultural exchange project with artists at Nauyi, Daly River NT. Fiona returned to NT in 2009 for ‘Djalkiri: We are sta...nding on their names, Blue Mud Bay’ a major creative exchange with Yolgnu artists and custodians. The resulting print suite ‘Burning Bright’ produced with Basil Hall Editions has been exhibited and acquired by many major institutions. We thoroughly enjoyed working with Fiona Hall, she strongly engaged with the projects with deep respectful exchange. Her extraordinary energy can be seen in the pain-staking detail and thoughtful observations in the series of exquisite etchings manifested. See all works available online profile Nomad Art: Influential Women https://www.nomadart.com.au/?page_id=26

04.01.2022 INNER WORLDS: Dulcie Sharpe Dulcie Sharpe was born at Jay Creek in the Northern Territory. The inspiration for her art comes from animals and bush tucker and features powerful images of the artists’ Arrernte homelands west of Alice Springs. INNER WORLDS is our current profile in the online gallery, visit our website to see all of the available artworks by these visionary artists. www.nomadart.com.au... Sand Dunes and Desert Bird by Dulcie Sharpe, etching, 34 x 78cm https://www.nomadart.com.au/?p=1579

04.01.2022 INFLUENTIAL WOMEN: Lorna Naparulla Fencer (dec) 'Yulyurlu Lorna Fencer Napurrurla was an innovator regarded by many as the most original Walpiri artist to emerge from Lajamanu. She was among the enthusiastic group of men and women who first took up acrylic painting at the Lajamanu School in 1986. As her mastery of the medium developed, Napurrurla developed a highly personal style to illustrate her ancestral stories. At the heart of her lifetime’s work was the Yam complex th...at centred upon her country at Yumurrpa in the Tanami Desert.’ Excerpt from Foreword by Louise Partos in ‘Yulyurlu: Lorna Fencer Napurrurla’, edited by Margie West, Wakefield Press, 2011. Basil Hall collaborated with Lorna on this exquisite series of etchings in 2005. They may be small plates but they tell a big story, the exuberant painting gestures have been brilliantly captured as compact etchings that play with various techniques and colours much like the prolific expression that Lorna is celebrated for. INFLUENTIAL WOMEN profile on website https://www.nomadart.com.au/?p=13340

04.01.2022 Congratulations Winsome Jobling Will be wonderful to see your works in Melbourne!

04.01.2022 We are delighted to present our next online exhibition ‘Manifest’ accompanied by curatorial essay by Angus Cameron View the full exhibition catalogue on our website. Manifest: selected prints from the Nomad Art Collection... Extract from Catalogue essay: ‘The works selected for this exhibition are drawn from over 120 exhibitions and projects Nomad Art has produced over 15 years and celebrates the unique culture and heritage of cross-cultural Australia. The works are essentially personal favourites; a director’s cut if you like and a reflection on a heightened period of Australian art. Delving back over the years, these works emerged like a family of close friends. They manifest as strong and appealing artworks ones that I would choose to have around me every day; images that manifest as food for the soul and the mind. Through Manifest I am sharing my personal response to the Nomad Art Collections. I am not offering up the best of the best but simply an individual eye. Equally I am intrigued with the response others have to the works and the collections that they put together over the years. It is always subjective, and it is always personal. I hope you enjoy this selection of works as much as I have enjoyed presenting them.’ Angus Cameron We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

03.01.2022 'Manifest: selected prints from the Nomad Art Collection' Dilminyin by Mulkun Wirrpanda, Buku Larrnggay Mulka, woodblock printed by John Wolseley with Gibson & Gill Printers on Gampishi paper, 2014, image size 33 x 63.5 cm, 65 x 97cm paper. From the Midawarr Harvest Series

02.01.2022 Congratulations to all the finalists and winners of 2020 NATSIAA, it is so surreal to not be celebrating with everyone in Darwin as we have done for 22 years. We send special applause for the extraordinary artists we have worked with and profiled who have received honours this year. Ngarralja Tommy May Telstra Art Award... Marrnyula Mununggurr Telstra Bark Painting Award Siena Mayutu Wurmarri Stubbs Telstra Multimedia Award Iluwanti Ken Telstra Works on Paper Award See more

02.01.2022 More great artworks from our current exhibition 'Manifest: selected prints from the Nomad Art Collection' Extract from Catalogue essay by Angus Cameron ‘Limited edition prints have their own process and aesthetic; they are not like their often larger and more expensive cousins - canvas and bark paintings. Prints are commonly smaller and accessible snippets of larger stories. Printmaking is an affordable and democratic art form; the notion of printmaking can be thought of as a... revolutionary activity that promulgates ideas. Prints are often embedded with strong political statements which make the work so poignant and important. Most of all they are a joy to behold and own as part of one’s life on the walls that surround us every single day.’ Nomad Art operates as an online gallery. We are also open by appointment at our Euroa Studio. Contact: 0428 308 793, [email protected] We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.

01.01.2022 Shining light on Nyapanyapa Yunupingu from our current exhibition catalogue: Shining Light: prints by leading contemporary indigenous artists from the Nomad Art Collection Extract from catalogue essay by Talitha Kennedy ‘In selecting works for Shining Light I considered how the artist adapted their usual practice into print so that my selection is also a reflection on process. The phenomenal Yolngu artist Nyapanyapa Yunupingu worked in prints before beginning to paint. Her s...creenprints from 1998 use vibrant colour to dazzling effect. Now known for her dense mark-making in ochre on monumental barks and installations using new media technologies, she is a dynamic and innovative leading contemporary artist. I was completely in awe when I walked through her forest of larrakitj installation Bathala for the 2016 Biennale of Sydney at the Art Gallery of NSW. Intricate frenetic designs made the hefty hollow logs shimmer while light and shadow played, which transformed the gallery into an otherworldly space of spirit and power. I recall the first time Nomad Art exhibited Nyapanyapa Yunupingu’s barks, carvings and prints in 2008 and I was mesmerised. The Nomad Art Collection holds many prints by the artist across a range of techniques spanning over two decades. From her prolific output I was most drawn to a small delicate lino print (Pink Lines). The deft slashes carved into this linocut are the same hand gestures as her signature lines rendered in ochre, the point of the carving chisel makes the same sharp ends as the marwat fine hair-brush. This concise little work encapsulates the same energy that mesmerises in the big scale.’ Nomad Art Collection has many prints available by Nyapanyapa Yunupingu ranging from 1998 screenprints to most recent editions including etchings, linocuts and lithographs. https://www.nomadart.com.au/