Panavision Melbourne in South Melbourne, Victoria | Photography and videography

Panavision Melbourne

Locality: South Melbourne, Victoria

Phone: +61 3 8532 8800

Address: 245-247 Normanby Road VIC 3205 South Melbourne, VIC, Australia

Website: http://www.panavision.asia

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25.01.2022 "Do you have a fire in your heart for justice?" #TheGoodLordBird premieres October 4. Shot by cinematographer Peter Deming ASC on #DXL2 with #BSeries optics. Serviced by #Panavision New York.

24.01.2022 2067 The Movie will be featured at the launch of the upcoming Adelaide Film Festival in October. Shot by cinematographer Earle Dresner ACS with #BSeries and #CSeries glass. Serviced by #Panavision Melbourne.

24.01.2022 Made In Her Image Mentee Akwe Mcdaniels and #MadeInHerImage Founder Malakai have curated an exceptional list of must-watch international films by BIPOC filmmakers. Swipe through and follow the filmmakers on Instagram.

21.01.2022 "This is the way." Swipe through some epic galactic stills from the trailer for #TheMandalorian Season Two. Shot by cinematographer Baz Idoine with #UltraVista optics. Serviced by #Panavision Woodland Hills.

21.01.2022 Destiny awaits. See the trailer for #DuneMovie now. Shot by cinematographer Greig Fraser ASC ACS with #UltraVista optics. Serviced by #Panavision London.

19.01.2022 "My visual essay Carnival tells a story about a visually impaired woman. Accompanied by her guide dog, she sits in a caf reading a sci-fiction novel. Suddenly, a payphone begins to ring outside. Led by her trusty friend, the young woman then experiences something that can only be described as magical. Lia Wang, the director, and I were so inspired by the Japanese animation Ghost in the Shell and the paintings from Edward Hopper while we were developing the visual conc...ept for the project. The idea of the project is to combine the texture of celluloid and visual effects techniques together to create the cyberpunk cityscape that the blind woman imagines." Cinematographer and AFI Conservatory Fellow Jiahao Zhang on the visual inspiration for the cyberpunk cityscape in his visual essay, "Carnival." The American Film Institute Conservatory Visual Essay Program is a #Panavision sponsored program in which all projects were shot on Kodak Motion Picture Film 35mm film. Learn more about the #AFIConservatory Cinematography Discipline: https://conservatory.afi.com/cinematography/ Cast and Crew: Director: Lia Wang Producer: Yue Liu Cinematographer: Jiahao Zhang Production Designer: Xiyu Lin Editor: Kartikye Gupta Camera Op: Ryan Kerr 1st AC: Veronica Bouza 2nd AC: Ryan Doody Gaffer: Shane Ainsworth Key Grip: Dave Wilwayco BBE: Saulius Lukoeviius LAC BBG: Ziyu Wu Dolly Grip: Kadri Koop VFX Supervisor: Wes Palmer Matte Painting Artist: Ina Chen Starring: Stacy Chu See more

19.01.2022 #LinguaFranca is streaming now. Intimately shot by cinematographer Isaac Banks with #PrimoPrimes. Serviced by #Panavision New York.

18.01.2022 "To not be restricted to filming it as a normal stage performance was really thrilling and let us make the most of the room. Cinematographer James Rhodes on shooting Laura Marlings performance from a unique perspective in Londons Union Chapel. Read more about the projects that have re-emerged from lockdown with cinematographers Robbie Ryan BSC ISC, Nanu Segal BSC, and Deepa Keshvala: https://pvlink.net/31OxbOc Proudly serviced by #Panavision and Panalux.

18.01.2022 A very happy (and slightly belated) anniversary to The Adventures of Priscilla, Queen of the Desert. On 8 September 1994, this fabulous film exploded on the big... screen and quickly established itself as a beloved cult classic. So shake your groove thing and celebrate this phenomenal Australian film. #NFSAOnline http://bit.ly/NFSAPriscilla See more

18.01.2022 Swipe through powerful stills from Janelle Mones new music video "Turntables" and go behind the scenes with cinematographer Jonathan Chu and director Child. Serviced by #Panavision. BTS photos by "70mm." Director: child Executive Producer: James Shani 1st AD: Karim Nabil... Director of Photography: Jonathan Chou Steadicam Operator: Jose Espinoza 1st AC: Ryan Sax 2nd AC: Travis Francis 2nd AC: Nobu Sakurai Bolt Operator: Chris Toth Bolt Assistant Operator: Sam Goddard Jib Operator: Andy Jagerson DIT: Emilie Collier Gaffer: Joey Luu BBE: Bergen Johnson Electric: Alberto DeCoste Calla Electric: Lej Talens Key Grip: Sergio Silva BBG: Aaron Stinde Grip: Kevin Ramirez Grip: Jose Caldera Grip: Rob Mcknight Production Designer: Jhana Parits Smith Art Director: Alexander Lepkowski See more

18.01.2022 "I feel like any work of art, any creative work, exists as an interaction between the person who created it and the person whos experiencing it." Director Charlie Kaufman on #ImThinkingOfEndingThings, streaming now. Shot by cinematographer ukasz al PSC with #HSeries optics. Serviced by #Panavision New York. Read more:

17.01.2022 Out of sight! Watch the video for "Out Of Sight" by Run The Jewels now. Shot by cinematographer Patrick Meller with #UltraPanatar optics. Gaffer: Jono Yates. Serviced by #Panavision London and Panalux.

17.01.2022 #InternationalCinemaDay2020 offers cinephiles and movie enthusiasts a way to support more than 50 historic, notable, or independently run cinemas worldwide. Participate now:

16.01.2022 Congratulations to the team behind "Mainstream," which premiered at #Venezia77 this week. Shot by cinematographer Autumn Durald Arkapaw with #CSeries optics. Serviced by #Panavision Hollywood. #BiennaleCinema2020

16.01.2022 "We just turned all of the cameras on and let it rip." Read about the ingenious, unorthodox methods Peter Deming ASC and David Lynch applied to the formidable film Lost Highway. https://pvlink.net/3m2tPih

16.01.2022 Congratulations to all the winners of the Production Guild of Great Britain Awards! A special mention to the production team on Jurassic World: Dominion who won the Innovation Award for Special Contribution to the Industry for creating a comprehensive and safe method of returning to filming during a global pandemic. Proudly sponsored by #Panavision https://pvlink.net/3leIq9d

16.01.2022 "When we choreographed those sequences, I wanted to make sure that my camera moved with her in a very elegant way. The battle scenes were not about the fighting. It was all about her ability and being able to move. She has this special chi. Shes an elite warrior." #Mulan Cinematographer Mandy Walker ASC ACS elaborates on the camera language of the films battle sequences. Streaming now. Shot with #Sphero65 optics. Serviced by #Panavision Auckland. Read more:

15.01.2022 Watch the fiendishly fun trailer for #BloodyHellTheFilm now. Shot by cinematographer Brad Shield ASC ACS with #PrimoPrime optics. Serviced by #Panavision Queensland.

15.01.2022 In honor of #StarTrekDay, check out this iconic shot of cinematographer Don Peterman, ASC and director-star Leonard Nimoy behind the eyepiece of a #Panaflex on the production of "Star Trek IV: The Voyage Home." Read American Cinematographers retrospective coverage of #StarTrek: https://pvlink.net/35h8EDv Photo: American Cinematographer

15.01.2022 Load up the sleigh! #ChristmasChronicles2 is streaming now. Shot by cinematographer Don Burgess ASC on the Panavision #DXL2 with #Primo70 optics. Final Color by #LightIron Senior Colorist Corinne Bogdanowicz.

14.01.2022 "The split-field diopter allows the director great versatility in frame composition. Andromeda was shot in Panavision, which has an aspect ratio of 2.35:1. The advent of widescreen itself has been a boon to some directors because it has enabled them to say and show more within the frame."

12.01.2022 "Ch-Check It Out!" Watch this conversation between Spike Jonze, Eric Andre, and the Beastie Boys on #BeastieBoysStory. Shot by cinematographer Autumn Durald Arkapaw. Serviced by #Panavision. Watch here: https://pvlink.net/32FLbJn

11.01.2022 Feel the nostalgia of midnight movie madness in these stills from the short film, "Riff Raff." Shot by cinematographer Pip White. Serviced by #Panavision Hollywood.

10.01.2022 We had 22 camera people on our team ... operators, 1sts, 2nds, Steadicam, the rail-cam guys and our two DITs. Go behind the scenes and read how cinematographer Autumn Durald Arkapaw shot #BeastieBoysStory with her team: https://pvlink.net/35FRakw

09.01.2022 "Yifei did a lot of her stunts herself the martial-arts moves, the sword fighting, the horse riding so we could focus on her with really long lenses and be on her face. That was a big part of our visual language that we worked on: How do we keep the audience with her through all these sequences so theyll understand whats going on around her but still feel like theyre emotionally with her throughout this whole story?" Cinematographer Mandy Walker ASC ACS on crafting the visual language of #Mulan. Shot with #Sphero65 optics. Serviced by #Panavision Auckland. Read more: https://pvlink.net/3hbw1AX

08.01.2022 Congratulations to Greig Fraser ASC ACS, Baz Idoine, Gregory Middleton ASC CSC, and Donald A. Morgan ASC for taking home Outstanding Cinematography #Emmys for #TheMandalorian, #Watchmen, and #TheRanch. Serviced by #Panavision.

08.01.2022 #Criminal: UK Season 2 premieres this week. Shot by cinematographer Jamie Cairney with #Primo70 optics. Serviced by #Panavision London.

08.01.2022 #ThrowbackThursday to when we held our virtual ASC Masterclass. Here's a little glimpse at the content we covered during the session.

07.01.2022 Tune in to the #RatedAwards broadcast to see "Teardrops" by Kano. Shot by cinematographer Stuart Bentley BSC with #GSeries optics. Serviced by #Panavision London.

07.01.2022 Congrats to the team behind Farewell Amor. Shot by cinematographer Bruce Francis Cole with #PrimoPrimes. Serviced by #Panavision New York. Read more:

06.01.2022 Today we celebrate the 1,583 NZ crew that worked on Disneys Mulan. The film accessed the New Zealand Screen Production Grant and releases today exclusively on Disney+ with Premier Access. We congratulate New Zealand director Niki Caro. #nzfilm #mulan #disneyplus

06.01.2022 Something strange... and hilarious is going on in Salem. Watch the trailer for #HubieHalloween now. Shot by cinematographer Seamus Tierney on #DXL2 with #Primo70 optics. Serviced by #Panavision New York.

06.01.2022 Experience the historical horror of #Antebellum now. Shot by cinematographer Pedro Luque with #AutoPanatar optics. Serviced by #Panavision New Orleans.

05.01.2022 #Savage is out now. Shot by cinematographer James L. Brown ACS with #Superspeeds. Serviced by #Panavision Auckland.

05.01.2022 Swipe through some magnificent stills from the #DuneMovie trailer. Shot by cinematographer Greig Fraser ASC ACS with #UltraVista optics. Serviced by #Panavision London.

04.01.2022 To celebrate the release of #ChristmasChronicles2, explore the filmography of longtime collaborators Don Burgess ASC and #LightIron Senior Colorist Corinne Bogdanowicz. https://pvlink.net/3mk2jNz

04.01.2022 Cinematographer Matthias Knigswieser (@koenigswieser) discusses re-watching "The Qatsi Trilogy", explains how authenticity is the most important career advice, and recommends using a skateboarders mindset to navigate life.

03.01.2022 Watch the action-packed trailer for #NoTimeToDie. Magnificently shot by cinematographer Linus Sandgren ASC FSF. #Panavision proudly supported the filmmakers with the #Panaflex XL2 and #CSeries optics. Serviced by Panavision London.

02.01.2022 One of the things Nick really liked was a still from the first version of Suspiria, a picture of the actress lit with a pastel green against a pastel pink. So ...the idea was that thered be one color on him and a contrasting color on the architecture. Cinematographer Robbie Ryan BSC ISC on the lighting and color schemes of Nick Caves #IdiotPrayer. Read more about the projects that have re-emerged since lockdown with cinematographers Nanu Segal BSC, James Rhodes, and Deepa Keshvala: https://pvlink.net/31OxbOc Proudly serviced by Panavision and #Panalux.

01.01.2022 This #DXLTuesday, we're going out of this world with Polly Morgan ASC BSC. Seen here behind the #DXL2 on the set of #LucyInTheSky.

01.01.2022 Congratulations to Natasha Braier ASC ADF for winning the National Film and Television School Sue Gibson BSC Cinematography Award. Revisit her award-winning work in #HoneyBoy: https://pvlink.net/2urj7fy

01.01.2022 Cinematographer and AFI Fellow Jiahao Zhang (@samzhangfff) discusses the impact of Edward Yangs work on him, takes us on a tour of his home workspace, and shares why honesty is the best policy.

01.01.2022 Cinematographer Joel Honeywell - DOP and John Boyega take a wrap shot on set with the #Panaflex XL2 and #PVintage optics while Loader Kairo Jones strikes a powerful pose with a pair of mags. Serviced by #Panavision London.