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QCA Galleries Griffith University

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20.01.2022 CONSTRUCTIVE REDUCTIVE OPENING EVENT: Please note that in line with current Queensland Government guidelines, we felt it was best to cancel tomorrow nights opening event at POP Gallery. The exhibition will still open from 10am tomorrow and run until Sunday, 6 September. QCA Galleries are practicing safe and hygienic practices throughout the gallery space and we will ensure that there are an appropriate number of attendees are in the gallery at one time to abide by the Government’s social distancing guidelines. Visitors will be asked to check into the POP Gallery using a QR code.

07.01.2022 OPENING EVENT: We are delighted to have the opportunity to invite visitors to POP Gallery to explore the exhibition 'Multiculturalism, Tourism and Culturally Sensitive Design in Chinatowns.' The evening will be broken up into two viewing sessions, one at 6pm and one at 7pm. Unfortunately spaces will still be limited, so RSVPs will be taken until capacity is reached for each session. Email [email protected] to RSVP, detailing your preferred time. QCA Galleries are p...racticing safe and hygienic practices throughout the gallery space and we will ensure that there are an appropriate number of attendees are in the gallery at one time to abide by the Government’s social distancing guidelines. Visitors will be asked to check into POP Gallery using a QR code. 'Multiculturalism, Tourism and Culturally Sensitive Design in Chinatowns' presents the work of Yanqiao Jiang, a current DVA candidate at the Queensland College of Art, Griffith University. Comprising of 27 individual pieces, the exhibition focuses on a variety of tactile typography letterforms created from a range of materials such as stitched paper, paper cutting, embroidery and bamboo sheets. The designs for the five separate typefaces are inspired by the distinctive folk arts and crafts from five Chinese indigenous tribes. Each set of letterforms are accompanied by photographs of the regions and crafts which inspired them. The works form part of a larger design project where the cultural elements are used to inspire a wider branding and signage project within Southport Chinatown. Image Credit: Louis Lim.

05.01.2022 ON VIEW AT POP GALLERY: CONSTRUCTIVE REDUCTIVE Curated by Dr Judith Duqueim, Constructive Reductive is a multi-disciplinary exhibition of contemporary constructive art by twelve international artists that supports an inquiry into artist intentionality and artist technique. Works include: immersive light installation; virtual reality/eco sculpture; immersive drone-based sound scape; projective relief; painting and narratology; structural/geometric/spatial/code-defined painting...; luminal kinetic construction/photo sets; digital drawing; sonic science/audio art/sound plastics. Artists: Joseph Buis (FR), Judith Cisneros (AR), Elizabeth Day (AU), Judith Duquemin (AU), Liz Helman (UK), Gosia Koscielak (PL/US), Roland Emile Kuit & Karin Schomaker (NL), Aaron Perkins (AU), Charley Peters UK), T. Michael Stephens (US), Jon Thogmartin (US) ___________________________________ Exhibition Dates: Tuesday, 25 August - Sunday, 6 September 2020 Opening Times: 10am - 4pm QCA Galleries are practicing safe and hygienic practices throughout the gallery space and we will ensure that there are an appropriate number of attendees are in the gallery at one time to abide by the Government’s social distancing guidelines. Visitors will be asked to check into the POP Gallery using a QR code.

02.01.2022 T Michael Stephens detail

02.01.2022 OPEN AT POP GALLERY: VESTIGE This exhibition is part of Master of Arts in Visual Art (MAVA) graduate Jacques van der Merwe’s exploration into the relationship between the fragile nature of the body and the fading of memory. These works form a connection between the figure and the trace through the duration of time. They request viewers to consider the significance of forgetting and being in the now.... Some of these works draw from Marc Augé’s, the three forms of forgetting, Return, Suspense and Re-beginning. Requesting the audience to revisit to the work to experience the slow deterioration of the human form as the oscillating water in the glass containers have impact on the plaster of Paris, cottonwool, and bandages as medium. In turn, we become conscious of our transitory nature as humans and the value of forgetting. This is achieved through the trace, following theories of Aby Warburg, Walter Benjamin, and Georges Didi-Huberman. Jacques van der Merwe's art explores the human condition through various mediums including drawing, painting, video, and sculpture. Working in materials such as plaster of Paris, wax, water, and bandages, he is particularly interested in the fading of memories, traces, entropy, and the immigration process. ________________________________________________ Exhibition Dates: 10 - 19 September Opening Times: 10am to 4pm, Tuesday - Saturday Where: POP Gallery, 381 Brunswick Street, Fortitude Valley, 4006